Post by account_disabled on Dec 17, 2023 6:08:27 GMT 2
Considering the fantasy genre, a story must contain common but also uncommon or even extinct animals. Or even animals that are a hybrid between two current species, a hybrid created by the author. This array of creatures helps to complete the setting. But a fantasy novel also has legendary creatures, such as dragons, the phoenix, the unicorn, the basilisk, the hydra, the harpies, the roc of Arab mythologies and so on. These creatures and animals, which are part of legends and various mythologies, must be introduced if the story requires it.
It is not said, then, that they Phone Number Data necessarily have to be introduced in stories relevant to their genesis. Terry Brooks owes quite a debt to some of these creatures (rocs, harpies, hydras, to name a few) and has included them in his novels centered on the Elves. The resulting setting is original and not at all banal. Imaginary animals and plants Alongside existing plants and animals and creatures born in myths and legends, the writer will clearly be able to make use of his own imagination - he will have to do so, in fact! – To invent new species based on his stories, in order to create unique and compelling fantastic scenarios.
This creates a personal fantasy world, populated by the flora and fauna we know, but also by other creatures that give a touch of originality to the entire story. The imagination and creativity of the writer must not descend into the ridiculous or the improbable, but lead to the creation of plausible species. An effective example in my opinion is the Yilané Trilogy by Harry Harrison, alternative history novels set in prehistory. The author imagined a saurid and humanoid species born from dinosaurs and developed alongside Homo Sapiens. He also created strange creatures genetically modified by this species and for this he enlisted the help of a biologist. We are in a perfectly balanced world, with environments recreated with great skill.
It is not said, then, that they Phone Number Data necessarily have to be introduced in stories relevant to their genesis. Terry Brooks owes quite a debt to some of these creatures (rocs, harpies, hydras, to name a few) and has included them in his novels centered on the Elves. The resulting setting is original and not at all banal. Imaginary animals and plants Alongside existing plants and animals and creatures born in myths and legends, the writer will clearly be able to make use of his own imagination - he will have to do so, in fact! – To invent new species based on his stories, in order to create unique and compelling fantastic scenarios.
This creates a personal fantasy world, populated by the flora and fauna we know, but also by other creatures that give a touch of originality to the entire story. The imagination and creativity of the writer must not descend into the ridiculous or the improbable, but lead to the creation of plausible species. An effective example in my opinion is the Yilané Trilogy by Harry Harrison, alternative history novels set in prehistory. The author imagined a saurid and humanoid species born from dinosaurs and developed alongside Homo Sapiens. He also created strange creatures genetically modified by this species and for this he enlisted the help of a biologist. We are in a perfectly balanced world, with environments recreated with great skill.